FAQ

A director’s treatment is a document used to convey a filmmaker’s vision for a story or script to agencies, creatives, clients, studios, and production department heads. It is sometimes also known as a pitch deck, director’s notes, a director’s interpretation, a creative treatment, or a TVC treatment  Most often a treatment combines both persuasive writing and visual storytelling to translate the director’s ideas and creative plan in an easy-to-understand way.

It depends. Some directors prefer to write for themselves. However, many directors actually prefer the help and expertise of a ghostwriter because it frees them up to conceptualize and hone their ideas, as well as provide them a partner that may actually add to the suggested creative approach. Even the best filmmakers and storytellers often prefer using ghostwriters.

The biggest advantage of hiring a visual researcher for your project is access to their references. Researchers spend a lot of non-booked hours compiling and organizing thousands of media clips and images – something most people and companies don’t have the resources to do. In addition to this, you’re hiring an expert with thousands of hours of experience in visual storytelling and graphic design. 

Most treatments have tight deadlines and therefore we usually commit to 24 hour turn-around of any writing or visual research. Typically a layout can be completed in under three days from beginning-to-end for writing, visuals, and layout.

How do I find the a director’s treatment writer?

Choosing a ghostwriter for your next director’s treatment is an important decision and shouldn’t be taken lightly.
The first thing to look for is whether they write treatments full-time. 
Next most important are the past examples and a collaborative attitude. Also, always make sure the writer you choose has the ability and know-how to adopt and adapt to the director’s own voice.
If you do all of these things, and brief them well, you should find success and be pleased with the end result.

Choosing a visual researcher for your treatment is more subjective, but we think it is  equally as important as the writing. Often creatives ski the pitch deck, so a strong layout is a crucial part of the equation.
The most important quality of a visualist is the size of their library. Without this, often they cannot solve the complex problems that come up with the agency’s demand to create scenes that have never been shot before. Another thing to look for is the variety of their portfolio. It’s always important that the visual researcher has a wide range and can adapt to the project’s demands.

Yes! We do both film and TV treatments, but we choose not to post them.
Feel free to reach out to us for samples at info@thecollectivepitch.com.

Feel free to book us for a director’s treatment writing or visuals directly from our website. Alternatively, you can reach us at info@thecollectivepitch.com.

Writing a treatment is an exercise in persuasive writing and clear communication. A strong director’s treatment needs to convey a director’s vision evocatively and concisely. 

To learn more about how to write your own treatment, sign up our blog about treatment writing techniques.

It depends. Some directors prefer to write for themselves. However, many directors actually prefer the help and expertise of a ghostwriter because it frees them up to conceptualize and hone their ideas, as well as provide them a partner that may actually add to the suggested creative approach. Even the best filmmakers and storytellers often prefer using ghostwriters.